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Spenser (EDMUND was excluded from court)

EDMUND was excluded from court; Spenser, seekhe came in contact with Raleigh, read to him part of his poem, and was persecretary to Lord Grey. Of Spenser's life in Ireland during the next few years we know little. He took with him some part of the "Faerie Queene," his greatest poem, and in 1589 he came in contact with Raleigh, read to him part of his poem, and was persuaded by him to go to London and present it to the Queen. In 1590 the first three books, one-fourth the poem as he had planned it, were published, and immediately won fame. The poem was through the Welsh house of Tudor; planned as the epic of the new England, comes out in the chronicle passages, in the time; and pointing out England's line th the love of Arthur (the spirit of Engdestiny. This part of Spenser's design comes out in the chronicle passages, in the love of Arthur (the spirit of England, at times identified with Leicester) great knights are to be identified with beth); and fense of Elizabeth's policy in the fifth book, the legend of Justice. Some of the great knights are to be identified with famous Englishmen, as Artegal for Lord courtier," the Renaissance Grey, Calidore for Sidney, and the like.

Besides this historical and contemporary matter, the poem was to be a treatise on "the brave cou and in such passages as the deon for Temideal of education. Arthur typifies Magperance; Calidore for Courtesy, and the like. By this means all the virtues and stands for Holiness; Guyon perance; Calidore for Courtesy, and the qualities of the ideal man were to be like. By this means all the virtues and represented. Finally, the poem is a land, as in the old romance of Malory, treasury of romance. England is fairyand men and their deeds, and the policies of imperial England are seen through the gla glass of enchantment. The poem ply as a treasury of romance. The long might, therefore, be read as a moral allegory, as a political allegory, or simstanza lent itself to every variety of pictorial effect and of mood. Spenser can be dramatic, languorous, lyrical. He can be ster stern with moral fervor or senpictorial effect and of mood. Spenser can be dramatic, languorous, lyrical. He the painter of the English poets. The extraordinary richness and variety of his epic is seen not only in its poetical qualities, which have never been sur- passed, but also in the way in which it sums up the thought and ideals of an theories of the state and of conduct; the epoch. Love of travel, of conquest, of science, of every form of philosophy; learning of a time when learning was held to be one of the highest ideals of the man of affairs as well as of the recluse all these are found in combina-