One Hundred Best Books

A novelist's hundred best books, chosen “frankly subjective” in 1916 — with an essay on reading that picks a fight with every other such list.

Curious Facts

Everything below is in the book — each one links straight to the page it comes from.

  1. Dickens gets exactly one slot — for a backwards reason. Powys includes only Great Expectations because "All Dickens' novels have a unique value, and such an equal value, that almost any one" could stand for the rest — equality as grounds for exclusion. Read it in the book →
  2. Alice needs no defense. "It would be ridiculous to compile a list of a hundred best books and leave out this one" — and lack of space alone keeps Through the Looking Glass off the list. Read it in the book →
  3. Catullus is diagnosed as neurotic. Caesar's contemporary is "of all the ancient lyrical poets, the one most modern and neurotic in feeling" — 1916 psychology applied to 60 B.C. Read it in the book →
  4. Voltaire is knighted — unexpectedly. Powys calls him "a true man of action, a knight of the Holy Ghost" who "fought through a laborious life, against obscurantism, stupidity and tyranny." Read it in the book →
  5. Lamb wins the prose crown outright. "Charles Lamb remains, of all English prose-writers, the one whose manner is the most beautiful… for sheer magic and inspiration, his equal" is not to be found. Read it in the book →
  6. America's third poet is announced. "After Whitman and Poe, Mr. Masters is by far the most original and interesting of American poets" — the Spoon River Anthology was one year old when Powys canonized it. Read it in the book →
  7. A scandalous Russian makes the hundred. Artzibasheff's Sanine is admitted with a warning: "Artzibasheff is an extremist… Pessimism, in a superficial sense, could hardly go further." Read it in the book →
  8. Translations are vetted like vintages. Cervantes may be read "in any translation except those vulgarized by eighteenth century taste"; Dante only in the Temple Classics with the Italian facing the English. Read it in the book →
  9. D'Annunzio is praised by subtraction. "Without light and shade, without 'nuance,' without humor or irony, he compels our atte[ntion]" — a compliment built entirely of missing parts. Read it in the book →
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