Harp
A string instrument of very ancient origin, probably first suggested by the bow.
The earliest forms of Egyptian harps resemble that weapon, the front bar or support being wanting. The modern harp, by means of contrivances for altering the tension of the strings, controlled by pedals, has the complete chromatic scale. The harp is extensively used in the modern orchestra; its clear, "glassy" tones form a striking and effective contrast to the rest of the orchestra.
It is most effective when used to give "arpeggios," or broken chords, particularly in soft passages. Scales are ineffective on the harp, and the chromatic scale is impossible.
The compass of the modern harp extends from the second Ch below the bass staff to Haslinger, Tobias. Composer, publisher:
Austria. B. 1787; d. 1842.
Hasse, Faustina (has-seh). Soprano; Italy.
B. 1700; d. 1783.
Hasse, J. A., her husband. Composer; Saxony. B. 1699; d. 1783. Hatton, John L. Composer; England. B. 1809; d. 1886.
Hauck, Minnie (howk). Soprano; U. S. A.
B. 1852.
Haupt, Carl (howpt). Theorist, organist; Germany. B. 1810; d. 1891.
Hauptmann, Moritz (howpt-man). Theorist, teacher; Germany. B. 1792; d. 1868.
Haweis, Rev. H. R. Essayist; England.
B. 1838; d. 1901.
Haydn, Josef (highdn). Composer; Austria.
B. 1732; d. 1809.
HEPTACHORD the second F2 above the treble staff, six and one-half octaves. The natural harmonics, produced by touching the middle of the string lightly with one hand, are extremely effective in very soft passages.
Harpe (Fr.), Harfe (Ger.). The harp.
Harpsichord, Harpsicol, Clavicin (Fr.), Cembalo (It.), Clavicembalo (It.), Flügel (Ger.). A string instrument with keyboard, in shape like the modern grand piano. The sound was produced by pieces of quill, leather, or tortoise-shell, which scratched across the strings when the keys were struck. Harpsichords were often made with two rows of keys and with stops, by means of which the tone might be modified.