Aladdin
Aiton's Encyclopedia (1910)
a-lad' in, the hero of the story of Aladdin and the Wonderful Lamp, in The Arabian Nights' Entertainments . Aladdin is a poor boy in China who becomes possessed of a magic lamp. If he rubs it, a powerful jinnee or spirit appears, who is entirely at the service of him who owns the lamp. Aladdin becomes rich through the aid of his lamp. He wins a princess for his wife. He has a palace built for her in a single night, but one window is left unfinished which no one can complete to match the others. At last the original owner of the lamp attempts to regain it by offering to exchange new lamps for old. Aladdin's mother sells the magic lamp, and various troubles ensue. Aladdin finally recovers it, kills the first owner, moves his palace to Cathay, and, to crown all, becomes sultan. Many proverbial sayings have arisen from the story of Aladdin. "To finish Aladdin's window," means to complete what has been begun by some more capable person. "To exchange old lamps for new," is an allusion to the mother's giving away the rusty magic lamp for a new and useless one. Aladdin's lamp is mentioned frequently in literature. Sometimes the expression is used figuratively for the imagination, thus Lowell: When I was a beggarly boy, And lived in a cellar damp, I had not a friend nor a toy, But I had Aladdin's lamp; When I could not sleep for cold, I had fire enough in my brain, And builded, with roofs of gold, My beautiful castles in Spain!
What Has Changed in the Last Century
Aiton's 1910 entry treats "Aladdin and the Wonderful Lamp" as a straightforward piece of The Arabian Nights' Entertainments, and as a story every reader would know from Lowell's poem and proverbs like "to finish Aladdin's window." The tale itself has not changed a word, but its pedigree has: no Arabic manuscript of it is known that predates Antoine Galland's French version of about 1710, and Galland's own diary credits the story to Hanna Diyab, a young Maronite traveller from Aleppo whom he met in Paris in 1709. Diyab's own memoir of his journey has since been published, which has made him a named author rather than an anonymous informant in modern scholarship. What has really shifted is the popular image: Disney's 1992 animated film, and its 2019 live-action remake, relocated the story from Aiton's China to a generic Arabian city, and the proverbs the entry lists have faded while the film's version has not.
Written for this edition, 2026.