Calderon De La Barca
Collier's New Encyclopedia (1921)
PEDRO (dā lä bärkä), a Spanish dramatist; born in Madrid, Spain, Jan. 17, 1600; educated in the Jesuits' College, Madrid, and at Salamanca. Before his 14th year he had written his third play. Leaving Salamanca in 1625, he entered the army and served with distinction for 10 years in Milan and the Netherlands. In 1636 he was recalled by Philip IV., who gave him the direction of the court entertainments. The next year he was made knight of the order of Santiago, and served in 1640 in the campaign in Catalonia. In 1651 he entered the clerical profession, and in 1653 obtained a chaplain's office in the archiepiscopal church at Toledo. But as this situation removed him too far from court, he received, in 1663, another at the king's court chapel; and at the same time a pension was assigned him from the Sicilian revenue. His fame greatly increased his income, as he was solicited by the principal cities of Spain to compose their "Sacremental Acts," for which he was liberally paid, and on which he specially prided himself. Besides heroic comedies and historical plays, some of which merit the name of tragedies, Calderon left 95 sacramental acts, 200 preludes, and 100 farces. He wrote his last play in the 80th year of his age. His smaller poems are now forgotten, but his plays have maintained their place on the stage even more than those of Lope de Vega. Their number amounts to 127. He wrote, however, many more, some of which were never published. He died in Madrid, May 25, 1681.
What Has Changed in the Last Century
The biographical outline Collier's gave in 1921 still stands: born in Madrid in January 1600, court dramatist to Philip IV, ordained in 1651, dead in May 1681. Two things have moved. The tallies have been tightened by modern cataloguing oaround 80 autos sacramentales rather than the 95 Collier's counted, with a number of the plays once printed under his name reassigned to others or judged collaborations; and the account's judgement that "his smaller poems are now forgotten" while the plays hold the stage has proved right in an unexpected way, since one play in particular, La vida es sueño (Life Is a Dream), has become a fixture of world repertory and university syllabuses, repeatedly retranslated into English since the 1950s. Spanish Golden Age drama also acquired a permanent showcase in the Almagro festival, founded in 1978, and his tercentenary in 1981 prompted a wave of new critical editions.
Written for this edition, 2026.