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Gramophone

Collier's New Encyclopedia (1921)

or "DISC TALKING MACHINE," a mechanism for reproducing sound , differing in construction, but not in principle, from the phonograph. aph. It was invented in 1888 by Emile Berliner, a German -American inventor, who was chief instrument inspector of the Bell Telephone Co., and also inventor of the telephone transmitter. The gramophone differs from the phonograph principally in that its records are engraved on discs instead of on cylinders. On the cylinder of the phonograph the vibrations reproducing the sounds are caused by winding grooves of uneven depths, the variation of depth causing the needle to vibrate up and down. The records on the discs of the gramophone are spiral grooves radiating outward from the center, and zig-zagging, so that the recording needle vibrates laterally, while the disc revolves in a horizontal position. In the gramophone, also, the needle, or stylus, is not propelled by a feed screw, the disc itself causing the stylus, or needle, to move, at the same time that it causes it to vibrate. Gramophone records were first made by photo-engraving sound tracings, or by direct etchings in copper or zinc. Later wax surfaces were employed. From the original record a disc, or matrix, was made, by electrotyping. This, in turn, is used for making impressions in celluloid, rubber or composition. Celluloid was first used, in a semi-heated state, but later it was found better to use hard rubber discs, on which the reversed records of the electrotypes were reproduced, in reverse, by heavy pressure. It was this improving process, perfected in 1895, which made the gramophone a commercial possibility. A further improvement

What Has Changed in the Last Century

Collier's in 1921 described a hard-rubber-and-composition disc turned by hand-wound spring, its stylus vibrating laterally in a spiral groove — and correctly judged Berliner's pressed disc, perfected about 1895, the thing that made the machine commercial. The disc did win: Edison abandoned cylinders in 1929, electrical recording with microphones arrived in 1925, and Columbia's vinyl long-playing record of 1948 with the 45 rpm single of 1949 retired the brittle shellac 78 that Collier's readers owned. Magnetic tape, stereo discs from 1958, the compact disc from 1982 and streaming have each in turn displaced the format, though the vinyl record has been in commercial revival since the mid-2000s and now outsells CDs in several countries. The word itself has faded in America, surviving mostly in Britain, in the magazine The Gramophone (founded 1923) and in the nickname of the Grammy Awards.

Written for this edition, 2026.