Hugo, Victor
Aiton's Encyclopedia (1910)
Victor (1802-1885), a noted French novelist and poet. He was educated at Paris and later at Madrid, his father being a soldier in the service of Joseph Bonaparte. He began writing at the age of twelve, and gave a novel to the press at the age of twenty-one. It was his ambition to write on modern themes in a French manner. He led a crusade against writers who followed ancient, especially Greek, models. He wrote several dramas, but his popular fame rests on his novels. Notre Dame appeared in 1830; Les Miserables in 1862; L'Homme qui Rit, or The Man Who Laughs, in 1869; The History of a Crime, in 1877. These are his most celebrated productions. His complete works fill forty volumes. Les Miserables is one of the world's great novels. His poetry is of high rank. One critic goes even so far as to say, "He found French poetry a palace of brick and stucco, and left it a palace built of jewels, a palace of the Arabian Nights." Hugo is one of the great teachers of democracy. He was a determined opponent of Napoleon III, and deemed it wise to go into exile. Much of his writing was done in a country home in the island of Guernsey. He took a deep interest in current events, and was much mortified by the outcome of the Franco-Prussian War of 1870. In 1876 he was made a senator. It is only fair that an author should be allowed to speak for himself. The following passage is held to express Victor Hugo's philosophy of life: Since it is given to no one whatsoever to escape the dream, let us accept it. Only let us try to have the right one. Men hate, are brutes, fight, lie; leave their dream unto the shadows. But share you your bread with little children, see that no one goes about you with naked feet, look kindly upon mothers nursing their children on the doorsteps of humble cottages, walk through the world without malevolence, do not knowingly crush the humblest flower, respect the needs of birds, bow to the purple from afar and to the poor at close range. Rise to labor, go to rest with prayer, go to sleep in the unknown, having for your pillow the infinite; love, believe, hope, live; be like him who has a watering pot in his hand, only let your watering pot be filled with good deeds and good words; never be discouraged; be magi and be father, and if you have lands cultivate them, and if you have sons rear them, and if enemies bless them--and with that sweet and unobtrusive authority that comes to the soul in patient expectation of the eternal dawn. He cannot be simple; the only light he has to give blinds you like that of a fire. He astonishes a reader and provokes him; he moves him and sways him. The great poet cannot shake off the charlatan; and France is the world; Paris is France; Hugo is Paris; peoples bow down.--Amiel.
What Has Changed in the Last Century
Aiton's 1910 judgement that "Les Miserables is one of the world's great novels" has held up; Hugo's standing as poet, novelist and "teacher of democracy" is much where it was, though his verse is far less read outside France than his prose. The biggest change is in how the books reach people: the 1980 Paris musical of Les Misérables, staged in London from 1985, became the West End's longest-running musical and has carried the story to audiences who will never open the forty volumes, while Notre-Dame de Paris (published in 1831, a year later than Aiton gives) sold in fresh quantities after the cathedral's roof burned in April 2019. Hauteville House, the "country home in the island of Guernsey" where much of the exile writing was done, is now a museum belonging to the City of Paris and was restored and reopened in 2019.
Written for this edition, 2026.