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Hunt, James Henry Leigh

Aiton's Encyclopedia (1910)

James Henry Leigh (1784-1859), an English poet and essayist, commonly known by the name of Leigh Hunt, over which he wrote. He was born at Southgate, near London. In his young manhood he engaged in newspaper work. In 1812 he was arrested for writing an article reflecting on the character of the prince regent. He called the prince "a corpulent Adonis of fifty." He was imprisoned for two years and fined $2,500. His confinement was more of an ovation than anything else. Flowers, books, games, and friends made time pass rapidly. Soon after his release he published the Story of Rimini, an Italian tale in verse. In 1818, he started a weekly paper, The Indicator, in imitation of The Spectator. He was a "bright and shining light," Stedman tells us, in what was derisively called the Cockney School of poets, which included Shelley, Keats, Hazlitt, and others. In 1822 he went to Italy to assist Byron and Shelley in their projected paper. Shelley died that same year and, as there was little sympathy between Byron and Hunt, the plan was abandoned. In 1828 he published a volume of Recollections of Lord Byron. Though not a writer of the first rank, a knowledge of Leigh Hunt and his works is requisite to a grasp of the literary history of the first half of the nineteenth century. His Men, Women, and Books, The Town, Its Memorable Characters and Events, Autobiography, and Table Talk are interesting reading. It is believed that Leigh Hunt was the original of the irresponsible Harold Skimpole in Dickens' Bleak House . Dickens denied this, and, if it be true, the character is, of course, exaggerated. See Grasshopper

What Has Changed in the Last Century

Aiton's 1910 judgment that Hunt was "not a writer of the first rank" but essential to the literary history of the age is roughly where scholarship still stands, though the emphasis has shifted from Hunt the poet to Hunt the editor: his Examiner is now credited with launching Keats and defending Shelley, and Nicholas Roe's 2005 biography Fiery Heart made the case for him as a radical journalist rather than a lightweight versifier. The one point that has moved is the Skimpole question. Aiton reports that "Dickens denied this"; Dickens in fact conceded privately that he had drawn on Hunt's manner, and after Hunt complained published a partial retraction in All the Year Round, and modern editors treat Hunt as the acknowledged model. Of the verse itself, only two short pieces, "Abou Ben Adhem" and "Jenny Kissed Me," are still widely anthologised.

Written for this edition, 2026.