Jefferson, Joseph
Aiton's Encyclopedia (1910)
Joseph (1829-1905), a noted American actor. He was born in Philadelphia, February 20, 1829, and died at Palm Beach, Florida, April 24, 1905. On his father's side he came of an old and honorable theatrical family. His great grandfather was a well known London actor in the time of the noted Garrick. "Joe" Jefferson's association with the stage began in early childhood. In an autobiography published in 1890 he says of himself, "I may almost say I was born in the theater." As a child he appeared first in the character of Jim Crow, a negro minstrel. He traveled in the West with his father. Lincoln, then a struggling young lawyer, did them a good turn once by securing the repeal of a prohibitive license imposed by the authorities of Springfield. Jefferson's first great success was in the role of Irving's Rip Van Winkle . He was a capital Caleb Plummer in Dickens' Cricket on the Hearth. He personated other characters well, but the public never wearied of hearing Rip. So Rip he represented season after season for forty years. In all these long years of public life Jefferson was regarded not only as an actor but as a gentleman. No American actor has been more popular. None has exerted a greater influence for good. He inherited a genial, happy manner and natural ability. Industry and economy brought him wealth. Correct habits and good health brought him on to a ripe old age in which he continued to bear an untarnished reputation. He was dubbed affectionately "the dean of the American stage." He died at his winter home in Florida asking that his head bee raised that he might look out on the unresting sea.
What Has Changed in the Last Century
The biographical facts Aiton's set down in 1910 still stand; what has gone is the fame. Jefferson played Rip Van Winkle for some forty years, but the role vanished from the repertory after his death, and today he is remembered less as "the dean of the American stage" than as one of the first stage stars captured on film — short scenes from his Rip, shot for Edison in 1896, which the Library of Congress later added to the National Film Registry. The childhood debut the entry mentions in passing, as Jim Crow alongside the minstrel T. D. Rice, is also now read differently: modern accounts treat it as evidence of how thoroughly blackface saturated the nineteenth-century American theatre Jefferson grew up in.
Written for this edition, 2026.