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La Fontaine, Jean

Aiton's Encyclopedia (1910)

la-fon-tan, Jean (1621-1695), a famous French writer. His father was a forest ranger in the duchy of Champagne. Jean was educated in the grammar school of his native town, and was designed for the priesthood, but took, instead, to his father's occupation. An account of his school days, the neglect of business, the waste of his wife's fortune, his duels, social misdeeds, divorce, early writings, government pension, and court intrigues, would be a long story. At sixty years of age he was one of the first men of letters in France, and was closely associated with Racine, Boileau and Moliere. His writings fill many volumes. He is remembered, however, for his Fables, of which a critic says: "They supply three several delights to three several ages: the child rejoices in the freshness and vividness of the story; the eager student of literature in the consummate art with which it is told; the experienced man of the world in the subtle reflections on character and life which it conveys." The Fables are written in verse. They have been for generations a standard reading book in French schools. "It is no small testimony that not even this use has interfered with their popularity among French men of letters, who with hardly an exception, speak as affectionately of them as if they had never been kept in on a summer's day to learn The Cricket and the Ant." The material of the fables is drawn from all literature, as well as from the author's own observation. See Aesop ; Lokman

What Has Changed in the Last Century

Aiton's 1910 sketch still holds: La Fontaine (1621-1695) remains known almost entirely for the twelve books of Fables published between 1668 and 1694, and French schoolchildren still learn "La Cigale et la Fourmi" by heart. Two small corrections have settled since then. There was no divorce -- Catholic France did not permit it, and La Fontaine simply obtained a legal separation of property from Marie Hericart in 1658 and drifted away from her; and modern editors give full weight to the bawdy Contes et nouvelles en vers, which Aiton passes over in silence but which were suppressed by the authorities in 1675 and which delayed his election to the Academie francaise until 1684. Scholars now also trace the later fables specifically to the Indian Panchatantra, reaching him through a French version of the Bidpai tales rather than from Aesop alone.

Written for this edition, 2026.