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Pisano

Collier's New Encyclopedia (1921)

the surname of several distinguished artists of Pisa, very important in the early history of art in Italy. GIUNTA PISANO, or GIUNTA DI GIUSTINO of Pisa, is the earliest known Tuscan painter, lived in the 13th century. Giunta was anterior to Cimabue, and to him belongs the merit of reviving painting in Italy. NICCOLA PISANO, born about 1206. He was equally distinguished as sculptor and a architect, and must hold the same rank in the former art that Giunta does in painting. He distinguished himself as early as 1225 at Bologna, where he executed the tomb of San Domenico. Niccola was also a great architect; he executed the church of the Frari at Venice; he was the pioneer of the Renaissance in Italy, in sculpture and in architecture. He died in 1278. GIOVANNI PISANO, the son and assistant of Niccola, and likewise one of the greatest of the early sculptors and architects of Italy; born in Pisa in 1240, died in Pisa in 1320, and was placed in the same tomb with his father in the cemetery of Campo Santo, which he designed. ANDREA PISANO was another early artist of Pisa, but nearly a century later than Giunta: he was a sculptor architect, and the friend of Giotto. And drea was born about 1270. Of several works still extant by Andrea, the bronze gates of the Baptistery of St. John at Florence are the most important. These two gates are still perfect; the exact date of their execution is dis' puted, whether they were finished in 1330, or only commenced in that year. The city gates and towers were also of his designing, as well as several important buildings. He died in Florence, in 1349.

What Has Changed in the Last Century

Collier's 1921 account repeats the Vasari tradition wholesale, and most of its specifics have since been corrected. Nicola is now generally taken to have come from Apulia (he signs himself "de Apulia") and to have been trained in the classicising workshops of Frederick II's south rather than in Pisa; his Bologna tomb of St Dominic is dated to the mid-1260s, not 1225, and the Frari in Venice is no longer credited to him. The Campo Santo at Pisa is attributed to Giovanni di Simone, who began it in 1278, not to Giovanni Pisano, and Andrea Pisano is now placed as a native of Pontedera born around 1290, with his Baptistery doors modelled from 1330 and cast and installed by 1336. Giunta, too, has lost his title as the first Tuscan painter and the reviver of the art: signed and dated panels by Berlinghiero of Lucca and others show a working Tuscan tradition around him rather than a single origin point.

Written for this edition, 2026.