Puppet
Aiton's Encyclopedia (1910)
a figure of less than life size employed in the old-fashioned puppet show. The word is French, signifying a doll. Puppets were suspended by wires over the stage. Strings leading to places of concealment enabled the players to twitch the head and limbs, imparting lifelike movements. Puppets were made usually of pasteboard. A manager put questions to the various puppets and told the audience what they were expressing. References to puppets and puppet shows are frequent in English literature . Davenant wrote: And man in chimney hid to dress. Puppet that acts our old Queen Bess. And man that while the puppets play, Through nose expoundeth what they say. Puppet shows were known to the Greeks and Romans. Paris was noted for puppet shows, and still patronizes them. The departure of Noah and the animals from the ark was long a favorite English subject. Punch and Judy shows are of this same nature. The exhibitions of waxworks, for which London is noted, are an outgrowth of puppet shows. At present puppet shows are more popular in Italy than elsewhere. As a puppet, popularly speaking, is one who dances when someone else pulls the string, the application to kings and politicians, when their actions are governed by others, is apt. This quotation is from the Britannica: Among the puppet personages presented in the small street shows are generally included a sailor who dances a hornpipe, a hoop-dancer, a dancer of the Highland fling, a wooden-legged pensioner, a vaulter on a pole, also balancing two chairs, a clown playing with a butterfly, a dancing figure without head until the head rises out of the body gradually, displaying an enormously long neck, a juggler tossing gilt balls, which, sliding up and down upon tight, invisible threads, fall into his hands again, a milk woman carrying buckets out of which fly white dolls, and a skeleton seen at first in scattered parts lying about the stage, but piece successively flying to piece, the body first sitting up, then standing, and finally capped by the skull, when the completed figure begins to dance. See Punch And Judy
What Has Changed in the Last Century
Aiton's writes in 1910 of "the old-fashioned puppet show" as a fading street entertainment, and its list of turns — the hornpipe sailor, the self-assembling skeleton — belongs to a trade then in decline. Instead the form revived: the international puppetry union UNIMA was founded in Prague in 1929, Jim Henson's Muppets reached a mass television audience from Sesame Street in 1969, and the horse puppets of the National Theatre's War Horse (2007) carried the craft into major stage drama. UNESCO has since listed traditions the 1910 account barely knew as intangible cultural heritage, among them Japanese bunraku, Indonesian wayang shadow theatre and the Sicilian opera dei pupi. The article's other point still holds: 'puppet' remains the standard insult for a ruler who dances on another's strings, and Punch and Judy is still performed on English beaches.
Written for this edition, 2026.